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- <div class="query">The Kingdom of the Future, for instance, though interesting in a Caley Robinson way, with its cold, mystical colour relieved by touches of warm reddish browns, and its big draped figures, was a composition in the past, and did not stimulate the <strong><a href="">emotional</a></strong> powers of the observer with a suggestion of coming ages or a prophecy of progress. <span>Page 26</span></div>
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- <div class="title">I. The Minotaur <span>|</span> Page 1</div>
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- <div class="title">II. The Griffon <span>|</span> Page 44</div>
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- <div class="title">III. The Firedrake <span>|</span> Page 129</div>
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- <div class="title">V. The Pegasus <span>|</span> Page 201</div>
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- A related distinction is between the emotion and the results of the emotion, principally behaviors and <strong><a href="">emotional</a></strong> expressions. People often behave in certain ways as a direct result of their <strong><a href="">emotional</a></strong> state, such as crying, fighting or fleeing. <span>Page 163</span>
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